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Everyone is unique, with their own strengths and perspectives. The 16 personality types, based on the Myers-Briggs Type Indicator (MBTI), help us understand these differences. Each type has a special strength—whether it's creativity, determination, or the ability to connect with others. Here are the 16 personality types and their greatest strengths. 1. INFP: Standing up for what you believe in - INFPs are dreamers who care deeply about their values and helping others. They’re creative and introspective, often imagining how the world could be better. They follow their heart and look for meaning in life. 2. ENFP: Thinking outside the box - ENFPs are lively, curious, and love connecting with others. They have lots of ideas and are passionate about causes they believe in. They’re friendly, outgoing, and enjoy discovering new possibilities. 3. INFJ: Being deeply empathetic - INFJs are thoughtful and care about making a positive difference in the world. They are empathetic and value deep, meaningful conversations. They prefer privacy but are driven by a desire to help others live their best lives. 4. ENFJ: Putting others before yourself - ENFJs are natural leaders who inspire and support others. They are empathetic and skilled at bringing people together. They care deeply about others and love helping people grow and succeed. 5. INTP: Understanding abstract concepts - INTPs are curious and love solving problems. They enjoy thinking deeply and exploring ideas. Independent and logical, they often get lost in thought as they look for new ways to understand the world. 6. ENTP: Inspiring new points of view - ENTPs are energetic and love debating ideas. They are quick-witted, open-minded, and enjoy challenging norms to find better solutions. They thrive when they can think creatively and explore new opportunities. 7. INTJ: Turning your vision into reality - INTJs are strategic thinkers who plan for the long term. They value logic and efficiency, and are always working to improve systems. Reserved yet determined, they focus on their vision for the future. 8. ENTJ: Unwavering resilience and determination - ENTJs are confident leaders who take charge and focus on getting things done. They’re goal-oriented and love challenges. They value competence and are direct and efficient in their approach. 9. ISFJ: Sticking to your word - ISFJs are reliable and caring, always looking out for others. They enjoy helping people and creating a peaceful environment. They focus on details and traditions, feeling fulfilled when they contribute to the well-being of those around them. 10. ESFJ: Constantly caring for others - ESFJs are warm, nurturing, and sociable. They enjoy helping others and are often the glue that holds groups together. They value harmony and prefer environments where relationships matter and people feel supported. 11. ISTJ: Remaining dedicated and committed - ISTJs are practical, responsible, and organized. They like structure and reliability, following through on commitments. They value tradition and order, making sure things are done right. 12. ESTJ: Always following through - ESTJs are strong leaders who thrive in organized, structured environments. They value efficiency, rules, and getting things done. They take charge to ensure things run smoothly and always follow through on their responsibilities. 13. ISFP: Staying true to your values - ISFPs are spontaneous, creative, and love living in the moment. They often express themselves through art or hands-on activities. They care about staying true to their personal values and enjoy exploring the world in their own way. 14. ESFP: Being present and living in the moment - ESFPs are energetic and love being the center of attention. They are fun-loving, social, and enjoy making others happy. They live for the present moment and thrive in lively environments where they can experience life’s joys. 15. ISTP: Solving complex problems - ISTPs are logical and resourceful. They have a knack for solving practical, real-world problems and can think quickly on their feet. 16. ESTP: Charming anyone and everyone - ESTPs are charismatic and outgoing. They have an easy charm and can connect with anyone, making them the life of the party and skilled in social situations. Get Latest News Live on Times Now along with Breaking News and Top Headlines from Relationships, Lifestyle and around the world.Consumers are still waiting to get into peak holiday shopping mode, despite early Black Friday promotions CHICAGO, Nov. 21, 2024 (GLOBE NEWSWIRE) -- FOR IMMEDIATE RELEASE: Holiday Shopping Trends Altered by Deal Distraction on Heels of Election Disruption, Reports Circana Consumers are still waiting to get into peak holiday shopping mode, despite early Black Friday promotions CHICAGO, November 21, 2024 - Retail distraction materialized in discretionary spending the week before the U.S. presidential election and remained in the week ending November 9, 2024, resulting in two consecutive weeks of 9% revenue declines. These early November declines marked the weakest general merchandise sales performance in the last 52 weeks and spanned almost the full list of industries tracked, according to Circana TM, a leading advisor on the complexity of consumer behavior. Prior to this disruption, discretionary general merchandise performance in October had remained consistent with recent performance. "Now that some of the election uncertainty has passed, consumers can focus on holiday shopping, but that comes with another set of distractions,” said Marshal Cohen, chief retail industry advisor for Circana . "While pent-up demand will help to fuel some post-election rebound in the coming weeks, consumers now face the distraction of early and endless promotions that will dilute their focus and alter the pace of holiday shopping.” Despite overall negative discretionary performance, promotional activity lifted some of the distraction fog for prestige beauty the week ending November 9, 2024. Promotion-driven growth signals that consumers are willing to shop when presented with deals. As revealed in Circana's annual Holiday Purchase Intentions study, consumers identified Black Friday as the time when they thought they would get the best deals this holiday shopping season. But, despite the early introduction of the Black Friday deals consumers have been waiting for, general merchandise unit demand during the week ending November 16, 2024 remains lackluster at 3% below last year's results, with a 4% decline in sales revenue. Circana notes that while there will be some similarities to last year, this holiday shopping season will look and feel different. The differences will relate to the pace of consumers' response to deals and what's behind their response. Some will act on early deals for fear that the item they want won't be available if they wait. Others will be committed to waiting as long as possible for the best deal. The unique deal and value mindset of today's consumer poses implications for this holiday season's outcome and how it is measured. "The competition for the consumer's attention keeps expanding. Toys now compete with beauty, tangible gifts compete with experiences, and top shopping days compete with other activities, like football, on Black Friday,” added Cohen. "Not only do marketers need to break through the distraction and capture consumers' attention with the best deals, but they also need to convince them of the value they are getting, and then hold to it.” ### About Circana Circana is a leading advisor on the complexity of consumer behavior. Through superior technology, advanced analytics, cross-industry data, and deep expertise, we provide clarity that helps almost 7,000 of the world's leading brands and retailers take action and unlock business growth. We understand more about the complete consumer, the complete store, and the complete wallet, so our clients can go beyond the data to apply insights, ignite innovation, meet consumer demand, and outpace the competition. Learn more at www.circana.com . Contact: Janine Marshall [email protected] CONTACT: Janine Marshall Circana 516-625-2356 [email protected]

Examining Generative AI: Cutting Through the Chaos / False Stories Spread to Thwart Western Aid for Ukraine, Reduce Nation’s Resolve to Battle Russia

Mexican gangs exploit terrorist networks to orchestrate assassination attempts on Donald TrumpThe International Cricket Council (ICC) has delayed its board meeting scheduled to discuss the hosting of the 2025 Champions Trophy, with India requesting more time to resolve the issue. This delay comes amid Pakistan’s firm stance on hosting the tournament, which has put pressure on India to reconsider its position. Pakistan has reiterated its position that if India refuses to send its team to Pakistan for the event, Pakistan will not play in any ICC tournaments hosted by India. The two cricket boards, PCB and BCCI, are still in discussions, and no concrete solution has yet been reached. Pakistan continues to oppose the hybrid model proposed by the ICC, which would involve some matches being played at neutral venues. The meeting was originally scheduled for November 29, but was postponed after no agreement was reached during preliminary discussions. ICC has urged both boards to present solutions within 24 to 48 hours. Separately, Pakistan Cricket Board (PCB) Chairman Mohsin Naqvi stressed on Saturday that politics and cricket needed to be kept separate, adding that preparations for the upcoming ICC Champions Trophy tournament were “finalised”. The tournament, scheduled to take place in Pakistan from February 19 to March 9, has become embroiled in a dispute, with the Board of Control for Cricket in India (BCCI) refusing to send its team to Pakistan, citing political and security concerns, despite assurances from all member boards regarding the security arrangements and the tentative match schedule. An online meeting convened by the ICC on Friday aimed at resolving the issue and announcing the match schedule lasted just 15 minutes due to the uncompromising stance of both the PCB and the BCCI. The PCB has made it clear that it will not accept a hybrid model for the event, under which all of India’s matc­hes would be played outside Pakistan. On the other hand, the BCCI is lobbying for the hybrid model, and if the PCB refuses, its next step is to push for shifting the Champions Tro­p­hy to another country. In a post on X, the PCB said that Naqvi met with former UAE cricket board secretary Mubashshir Usmani in Dubai today and he discussed “important issues regarding the organisation of the Champions Trophy tournament”. “We have to keep cricket and politics separate,” the PCB chairman said. Naqvi, who also serves as the interior minister, said, “Pakistan is a peaceful country and Pakistani people love the game of cricket. Cricket fans are eager for the big competition of [the] Champions Trophy.” “Pakistan is all set to host the Champions Trophy tournament,” he said, adding that stadiums were upgraded and security arrangements were finalised. “All countries will be given state guest protocol and security.” Naqvi said it was an honour to host the Champions Trophy tournament and that Pakstan would “welcome every team with open heart”.NASSAU, Bahamas — Scottie Scheffler birdied every hole but the par 3s on the front nine at Albany Golf Club on Friday and finished his bogey-free round with an 8-under 64 that gave him a two-shot lead in the Hero World Challenge. Two months off did nothing to slow the world’s No. 1 player. Scheffler already has eight victories this year and is in position to get another before the end of the year. Scheffler was at 13-under 131, two ahead of Akshay Bhatia (66) and Justin Thomas (67), both of whom had to save par on the 18th hole to stay in range going into the weekend. Scheffler started with a lob wedge to 2 feet for birdie and never slowed until after he went out in 29 to seize control of the holiday tournament against a 20-man field. Scheffler cooled slightly on the back nine, except it didn’t feel that way to him. “Front nine, just things were going my way. Back nine, maybe not as much,” Scheffler said. “A couple shots could end up closer to the hole, a couple putts go in, just little things.” Asked if he felt any frustration he didn’t take it lower — he once shot 59 at the TPC Boston during the FedExCup playoffs — Scheffler sounded bemused. “I think in this game I think a lot of all y’all are looking for perfection out of us,” he said. “Today I shot 8 under on the golf course, not something I hang my head about. A lot of good things out there — clean card, bogey-free, eight birdies. Overall, I think I’m pretty pleased.” Thomas felt his 67 was stress-free, particularly the way he was driving the ball. The wind laid down again, rare for the Bahamas, though it is expected to pick up on the weekend. Thomas wasn’t concerned to see Scheffler get off to a hot start, especially with three par 5s on the front nine and a short par 4 that at worst leaves a flip wedge to the green. “You literally can birdie every hole as soft as the greens are,” Thomas said. “He’s a great player, a great wedge player, and you have a lot of birdie holes to start. I’m honestly surprised he only shot 8 under. It’s a sneaky course because if you fall asleep on some shots, you can get out of position. But if you’re on and focused and really in control of everything — like these last two days with no wind — you can just make so many birdies.” Golf Channel Staff , Golf Channel Staff , Ryder Cup captain Keegan Bradley had a 67 and was four shots behind. No matter how benign the conditions, it wasn’t always easy. Cameron Young, who opened with a 64 for a two-shot lead, followed with a 75 despite making five birdies. That included a double bogey on the final hole when his approach tumbled down the bank into the rocks framing the lake that goes all the way down the 18th hole. Patrick Cantlay was trying to keep pace playing alongside Scheffler, but he had three bogeys over the final seven holes and fell seven shots behind with a 71. The tournament, hosted by Tiger Woods, is unofficial but offers world ranking points to all but the bottom three players because of the small field. It’s the weakest field in 25 years, but Scheffler at No. 1 gives it enough cachet. He is the first player since Woods in 2009 to start and finish a year at No. 1 in the world. And even after a layoff — giving him time to tinker with a new putting stroke — it looks like it might be a while before anyone changes that.

Best Bets, Odds for the Titans vs. Jaguars Game – Week 14Despite what my recent lip blushing obsession may lead you to believe, my lips have always been my favorite physical feature. I’ve gone through phases of feeling self-conscious about other parts of myself, but I love my lips. They’re thick, pillowy, and the perfect canvas for color. They’ve even been featured modeling lip art at my previous magazine gig. Ironically, they’re also one of very few things I’ve chosen to have “enhanced.” While I have access to all kinds of treatments , I felt uncomfortable doing something drastic to alter my weight or my nose before attempting to deal with my insecurities about them first. I’m glad I made that decision because neither of those things bother me anymore. My lips are another story—I love them, so why not try something to play them up even more? Lip blushing FAQs What is lip blushing? What are the benefits? Is lip blushing safe? Does lip blushing make your lips look bigger? How long does lip blushing take? How much does lip blushing cost? Does lip blushing hurt? How to prep for a lip blushing appointment What happens at a lip blushing appointment What is the lip blushing healing process? Lip blushing aftercare How long does lip brushing last? Lip blushing before and after photos Enter lip blushing, a semipermanent tattooing method designed to enhance the natural color and shape of your mouth for one to two years. Using a method called pixelating, the aesthetician deposits small, undetectable dots of pigment to line and shade. The result is a color that looks as if it could be your own—but with a boost (and a more pronounced shape). Now performed by aestheticians rather than traditional tattoo artists (as it was in decades past), it uses organic pigments and modern, digital tools that feature several needle configurations instead of one harsh setting. I was fortunate enough to get my lips blushed by the pioneer of the treatment himself: Christopher Drummond , PFrank MD Skin Salon ’s in-house aesthetician and cosmetic tattoo master. If you’re as curious about the process as I was, make sure to do your research first. Below, see everything you need to know before booking your own appointment. First things first: What actually is lip blushing? "Lip blushing is a semi-permanent cosmetic procedure that enhances the natural color, shape, and appearance of the lips. It uses a specialized machine, a technician implants pigment into the lips similar to tattooing," Azza Halim , MD, a board-certified physician and anesthesiologist specializing in aesthetic medicine and anti-aging, tells Glamour . However, it's not the exact same thing as a tattoo: “Lip blushing uses a soft shading technique to create a natural gradient, while lip tattoos insert pigment deeper into the skin for a more defined look,” Dr. Halim explains. "This creates a soft tint that fades gradually whereas tattooing maybe more patchy when fading.” “Lip blushing is amazing for evening out lip tone and creating more defined borders, and is especially great for correcting uneven coloring in melanated skin,” says Tam Patel , founder and owner of San Diego's permanent makeup and cosmetic tattoo service Pretty Little Ink . “The treatment helps restore youthful color as we age, creates the appearance of fuller lips through uniform color, conceals sun damage, redefines lip shape, and keeps you looking fresh 24/7 without daily makeup.” That's why many pros consider is a great alternative to lip filler. “A good candidate for lip blushing is a patient who wishes to create the visual impression of larger lips without resorting to the injection of dermal fillers,” says Peter Lee, MD, FACS, founder, CEO, and head surgeon at Wave Plastic Surgery . “Lip blushing can also help patients camouflage uneven pigmentation of the lips, scars that cross the vermilion border, or smoker’s lines to varying degrees.” So long as you're seeing a reputable practitioner, lip blushing is generally considered safe. However, as with every medical procedure, it can come with risks, so Dr. Halim advises anyone with keloid-prone skin, active herpes simplex virus (cold sores), allergies to pigments, or sensitive skin consult with professional to determine if they are a good candidate beforehand. “Allergic reactions are rare, but we recommend a patch test if you're prone to skin allergies,” adds Patel. “The biggest risk is uneven results from an inexperienced artist, so always research your provider carefully. Color may change over time, and different skin tones need specific expertise.” As with anything aesthetic, there's also a chance you might not like your results. “Common sources of dissatisfaction after the procedure include a dislike of the final color of the lips, uneven pigmentation, asymmetry of the lips, or dissatisfaction with the final shape of the lips,” says Dr. Lee. “Patients should also keep in mind that that lip blushing treatment is ‘semi-permanent,’ and therefore difficult to modify or remove once it has been performed.” It can, and many people choose to use it both as an alternative to and supplement to lip injections or a lip flip . “While lip blushing doesn't add physical volume, it can create the appearance and feeling of fuller lips by defining the borders and evening out the color,” says Patel. “It's perfect for those who aren't ready for lip filler or want it as a complement to their existing filler.” “The entire procedure, including the initial application of topical anesthetic, usually takes about 90 minutes,” says Dr. Lee. That includes 15 to 20 minutes for numbing, 15 to 30 for consultation and mapping, and 60 to 90 for the actual procedure, adds Patel: "We take our time to ensure perfect results." The cost of lip blushing depends on your location and where you get it done. That said, lip blushing costs about $307 on average, according to data from RealSelf , with prices typically ranging from $200 to $500 on the lower end. However, like other minimally invasive cosmetic treatments, you get what you pay for when it comes to lip blushing. Drummond is the best in the business, and he charges $1,500 per treatment. Be wary of anyone offering a deal that seems too good to be true. A semipermanent treatment is not the time to take risks. For me, the pain was surprisingly minimal. Prepping for my session was easy; I was simply told to avoid ibuprofen, fish oil, and vitamin E the day before to reduce the possibility of bruising and bleeding. Upon sitting in Drummond’s chair, I was told he’d be applying topical anesthesia to my mouth. Because the skin on your lips is extra porous, the anesthesia is much more effective than it would be on, say, your brows during a microblading session . As someone with about 15 (very painful) tattoos, I admit that I didn’t believe him at first. But aside from a slight pinching feeling at the beginning, the sensation was similar to someone using a finger to apply slight pressure. That was it. Such is the case for most people, too. “With proper numbing and technique, it's really not painful at all,” says Patel. “Most of my clients describe it as mild discomfort – kind of like a scratching sensation. We offer breaks whenever needed, and our high-quality numbing creams keep you comfortable throughout the process.” However, this is assuming that the numbing was done properly in the first place. “As a former dental hygienist, I’m used to doing this and have had multiple clients a month fall asleep in my chair,” Patel explains. “But, buyer beware, make sure your artist has the proper training (and preferably a healthcare background).” “To prepare for lip blushing, patients should try to hydrate themselves in the days prior to their appointment by increasing their fluid intake,” says Dr. Lee. “They should also increase the application of moisturizer to their lips and the surrounding skin.” So be sure to stock up on lip balm ! “Make sure you don't have active cold sores or recent lip filler injections,” adds Patel. “Skip alcohol, caffeine, and blood thinners for 24 hours before, and come with clean, moisturized lips.”If you do have a history of cold sores, be sure obtain a prescription for an antiviral medication, such as Valtrex, from your primary care physician. "Commence taking it three days prior to the procedure," Dr. Lee says. In terms of skin care, be sure to avoid using retinoids , alpha hydroxy acids (AHAs), or exfoliating agents before your procedure, adds Dr. Halim. “One should also be free of illness or infection prior to procedure.” This is also a good time to try different lip shades. “The color we use is really up to the individual,” says Drummond. “We discuss what they want beforehand, and I create a custom color for them.” Before your appointment, try on your favorite lipstick colors in different neutral shades of rose, coral, and brown tones to see what meshes best with your skin tone. Then bring those with you (it doesn’t hurt to have some reference photos either). That way, on appointment day you’ll be able to give your aesthetician an accurate idea of what you want. Once they mix a color up, you can always add or take away certain tones before tattooing begins. Wondering what happens once you get to your lip blushing appointment? Here's what you can expect. “The process starts with a consultation and color selection, fully customized to the client’s desires, followed by numbing,” says Patel. “We then map out your lip shape for symmetry and use a digital machine to carefully layer pigment into your lips, making multiple passes for even, natural-looking coverage.” This is done using a tattoo machine with a small needle, adds Dr. Halim. “It deposits pigment into the lips using a shading technique in order to layer color gradually for a natural effect.”At the end of the procedure, moisturizer is applied to the lips. “Finally, we do a touch up appointment at the six to eight week mark to ensure the color goals of the client,” says Patel. While there’s no downtime for this treatment (you can shower and wash your face the same day, as long as you slather on a coat of Aquaphor), it takes about four to five days to heal completely. Despite Drummond’s warnings that my lips would dramatically darken post-treatment, I still freaked out a little when I woke up to an unexpected raisin color the next morning instead of the rosy pink shade we had discussed. “During the healing process, the excess color flakes off,” explains Drummond, which explains the temporary change. By the time the second morning rolled around, all that remained of the dark color was restricted to the outer edges of my mouth. By morning three, I saw only the soft pink we had agreed upon. If you’ve ever gone on Accutane , then you have an idea of the level of dryness you’ll experience post lip blushing. I used up two full tubes of Aquaphor after my treatment. The good news is that four days later, my lips were once again moisturized and no longer crying out for extra coats of balm. Otherwise, right after your lip blushing appointment, keep your lips dry and clean (drink liquids through a straw). “Use the after-care products we provide," says Patel. "Avoid picking, scratching, sun exposure, and other lip products for 24-48 hours. Skip spicy foods and hot drinks initially, and stay hydrated. Following these instructions carefully ensures the best results.” Also remember that after the procedure, your lips will be sore and swollen, says Dr. Lee. “In the first few days after, scabs will form on the lips and the surrounding skin. Patients are instructed to apply a skin-repairing lip balm to their lips four times daily for the first month after their procedure," he says. "Most patients will observe that the color of their lips will fade by about fifty percent over the first four weeks after their treatment.” “The results of lip blushing typically last two to three years, depending on individual skin type, lifestyle, and aftercare,” says Dr. Halim. However, some clients need a touch up after one to two years, adds Patel. “The duration varies based on your skin type, sun exposure, skincare routine, lifestyle, and melanin levels.” If you end up needing a touch-up, don’t panic! After my first session, I found that a small area on the upper left side of my top lip had turned more of a dusty rose than our planned petal pink. A few months after my first session, I went in for a touch-up. This time Drummond seamlessly blended the area away. How dramatic are the results? If you’re looking for a permanent retro red shade or supersharp lines, this is not the treatment for you. While Drummond can alter tone or shape a bit, it won’t be by more than a couple of shades. The result is meant to be subtle—think along the lines of lash extensions or microfeathering . Personally, I’m still loving the results with just a bit of balm patted over the top. And on days when I do want to play with color, there are always plenty of lip color options to apply , no needles required. Kate Foster is a writer in Brooklyn. Follow her on Instagram @katebfoster . This article has been updated with additional reporting by Danielle Sinay.

A look at how some of Trump’s picks to lead health agencies could help carry out Kennedy’s overhaulICU Medical VP Daniel Woolson sells $350,158 in stock

There have been plenty of positives for Scotland coach Gregor Townsend during the 2024 Autumn Nations Test Series. His side were ruthless as they racked up 50-plus points against Fiji and Portugal, and in the defeat to South Africa they played with intensity and ferocity. If they can combine all three attributes against Australia then it should be a thrilling encounter at Murrayfield. After a dismal performance in the Rugby Championship, Australia have enjoyed a rapid revival. They were at their free-flowing best in the 42-37 win over England and simply overpowered Wales as they ran in eight tries. With confidence high, Joe Schmidt’s side will take some stopping, especially if new cross-code star Joseph-Aukuso Suaalii comes back into the starting line-up after being rested against the Welsh. Here's where to watch Scotland vs Australia live streams online and catch the Autumn Internationals 2024 action from anywhere. Date: Sunday, November 24 Start time: 8.40am ET / 1.40pm GMT / 12.40am AEDT (Mon) Peacock (US) TNT Sports / Discovery+ (UK) Stan Sport (Australia) Use NordVPN to watch from anywhere Use a VPN to watch Scotland vs Australia for free on your usual streaming service above if you are away from home. Use a VPN to watch any Scotland vs Australia stream NordVPN – try it risk-free for 30 days Use NordVPN to watch your usual Scotland vs Australia live stream from abroad. We test all the providers and we rate Nord as the best VPN . There's 24/7 support available, a money-back guarantee and, best of all, there's currently over 70% off with this deal. How to watch Scotland vs Australia live streams in the US You can watch Scotland vs Australia live streams on Peacock in the US, with the streaming service set to show all 21 of the Autumn Nations Series matches. A subscription starts at $7.99 per month, and Peacock also provides live coverage of Premier League soccer and the NFL. How to watch Scotland vs Australia live streams in the UK Autumn International live streams are being carried by TNT Sports in the UK, with Scotland vs Australia being shown on TNT Sports 1. If you don't have TNT Sports as part of a wider package, you can live stream its Autumn Internationals coverage using a Discovery+ Premium pass for £30.99 that gives you access to 30 days of TNT Sports – enough to see you through the entire Autumn Nations Series. How to watch Scotland vs Australia live streams in Australia Scotland vs Australia, along with all 21 Autumn Internationals, is available to watch on Stan Sport , which costs $15 per month on top of a regular Stan subscription, which itself starts at $12 per month. How to watch Scotland vs Australia live streams in the rest of the world New Zealand Sky Sport is the 2024 Autumn Internationals TV rights holder in New Zealand. You can access Sky Sport through satellite TV, or get a live stream with the Sky Sport Now subscription service starting at $29.99 per week. Canada DAZN has the rights to Autumn Nations Series rugby in Canada. Argentina The Autumn Internationals are being shown on ESPN in Argentina. Chile ESPN has the rights to Autumn Internationals rugby in Chile. Italy The Autumn Nations Series is being shown on Sky Italia in Italy. Japan The Autumn Internationals are being shown on WowWoW in Japan. Pacific Islands Digicel is covering the Autumn Internationals across Fiji, Samoa, Tonga, Vanuatu, Nauru, American Samoa and Papua New Guinea. Portugal Sport TV has the rights to the Autumn Nations Series in Portugal. South Africa SuperSport is showing the Autumn internationals in South Africa. Uruguay The Autumn Internationals are being shown on ESPN in Uruguay. Scotland vs Australia kicks off at 8.40am ET / 1.40pm GMT on Sunday, November 24, which is 12.40am AEDT / 2.40am NZDT on Monday, November 25 for fans based in Australia and New Zealand. Of course, most broadcasters have streaming services that you can access through mobile apps or via your phone's browser. You can also stay up-to-date with all things Autumn Internationals on the official World Rugby social media channels on YouTube ( @WorldRugby ) and Instagram ( @WorldRugby ). We test and review VPN services in the context of legal recreational uses. For example: 1. Accessing a service from another country (subject to the terms and conditions of that service). 2. Protecting your online security and strengthening your online privacy when abroad. We do not support or condone the illegal or malicious use of VPN services. Consuming pirated content that is paid-for is neither endorsed nor approved by Future Publishing.None

News Don't miss out on the headlines from News. Followed categories will be added to My News. Geelong VFL has locked in its training list for the 2025 pre-season with 46 talents from across Victoria to lock horns. Members of the training squad will be buoyed by Geelong’s selection of Cats VFL ruckman Joe Pike in last month’s rookie draft. The Barwon Heads product spent a year with the Geelong VFL program before being taken by the Cats. SCROLL DOWN FOR THE FULL SQUAD The players training with the Cats hail from Corowa on the New South Wales to Portland in south western Victoria, and there are a host of new faces. One of the most notable is Colac & District league sensation Charlie McCartin, the brother of Sydney defender Tom and 2014 No.1 draft pick Tom, who dominated under ex-Carlton stopper Ed Curnow at Lorne this season. McCartin had a handful of clubs heading out to Lorne to watch him in action and the key defender played two games in Sydney’s VFL side, having been a part of the Swans AFL recruiting team previously. Geelong Falcons prospects Dan Lowther, who tested at the state combine and Kobe George are also part of the squad along with sons of guns Noah Caracella and Alfie Wojcinski. Caracella, the son of Brisbane, Essendon and Collingwood player Blake, played a game with Essendon VFL under his father, while Wocjinski is the son of three-time premiership Cat David. Former Geelong listed player Osca Riccardi, son of Cats great Peter, also features after recovering from a serious brain infection last year that left him on life support. Of the list, 34 have interchange clubs in the AFL Barwon region: 25 from the Geelong league, five from the Bellarine, three from the Geelong & District and McCartin in the CDFNL. Two of those GDFNL are East Geelong products in Ben Crombie and Austin Mulvahill, while Oscar Barter has been rewarded for his strong season where he booted 45 goals in 16 matches for Anakie. Ben Crombie is part of the squad. Picture: Mark Wilson South Barwon boasts six players in the training squad, including Mathieson medallist Doyle Madigan – who wasn’t part of the VFL program last year – and Port Fairy recruit Oscar Pollock, while Bell Park has five. St Joseph’s spearhead Paddy De Grandi is another notable inclusion to the training squad after slotting 61 goals in 20 matches this season. The final 38-player VFL squad was finalised in March last year. More Coverage Third time lucky: Draft snubs, Cats’ crucial hand in ex-VFL ruck’s rise Dan Batten Track watch: Smith shines, Cats’ ‘Slim Shady’, breakout contender Dan Batten Originally published as Geelong VFL training squad revealed as local stars get chance to impress Join the conversation Add your comment to this story To join the conversation, please log in. Don't have an account? Register Join the conversation, you are commenting as Logout More related stories News ‘Great person’: Danger on Atkins charges ahead of court hearing Geelong midfielder Tom Atkins will face court this week after being charged with driving offences. And his captain Patrick Dangerfield has responded. Read more Local Footy Third time lucky: Draft snubs, Cats’ crucial hand in ex-VFL ruck’s rise Joe Pike missed out at the end of 2023 and then again six months later. But 12 months after his initial disappointment, he became a Geelong player. And the Cats were pivotal before drafting him. Read more

Boopie Miller's 24 points spark SMU to a 98-82 win over Longwood in nonconference finaleYou can't always know that it's a great year for new music while it's happening, but there was a sense from the very start of 2024 that we were in for a ride. A springtime gauntlet of weekly album drops by the industry's biggest stars was regularly interrupted by wildly inventive newcomers arriving out of nowhere, underground favorites reaching new heights and elders making vital statements. (For the record, just one of those reigning champions made our final list. Plenty of the challengers did.) Sometimes the sheer amount of great albums out each week could feel disorienting — June 7 was quite a day — but the abundance, looking back, is clearly a gift. We kept our ears open all year. Here's the result of that listening: our picks for the best albums of 2024. Fifty albums to give you something to hold onto when things get overwhelming, or to keep your head spinning with new sounds and ideas. They're presented chronologically and unranked, though we've adorned NPR Music's picks for the best of the best — a baker's dozen, perfect for a year overflowing with great music — with a crown. Label: Geffen Release Date: January 12 There is a seductive, disarming sweetness to the paisa accent of Colombian women. Perhaps that's why Kali Uchis , who was born in Virginia and grew up between the U.S. and her family's native country, fought with a former label to let her make music in Spanish. On her fourth LP and second Spanish-language project, ORQUÍDEAS — named after Colombia's national flower — Uchis' voice and vision is finally in full bloom. She purrs her way from a fluttering falsetto on "¿Cómo Así?"" to the full-bodied, revenge-fueled wails of the bolero "Te Mata." Uchis has long made divine femininity a central motif of her work, complete with glittery pop melodies and whispered prayers. But in the second half of ORQUÍDEAS , silky synths and moonlit musings descend into a raunchier, grittier party. She ramps things up with JT and El Alfa on dembow standout "Muñekita," then slides into a sweaty, sapphic duet with Karol G before landing on her grand finale: an escalating merengue medley that immediately demands a dancing partner and a shot of guaro. —Isabella Gomez Sarmiento ▶️ Stream Orquídeas by Kali Uchis Label: ECM Release Date: February 2 Turbulence and grace are coequal forces on Compassion, the second album by a powerfully perceptive all-star piano trio. Spearheaded by pianist and composer Vijay Iyer , it's recognizably stamped by his point of view, which favors brisk, slippery kineticism and a trust in the collective ideal. That trust is beautifully placed in two exceptionally astute partners: Linda May Han Oh , a bassist who imparts the sensation of a deep moving current; and Tyshawn Sorey , an ever-surprising drummer who released a stunning trio album of his own this year. The original compositions refer obliquely but sincerely to pandemic losses ("Panegyric," "Tempest") and personal heroes ("Arch," for Archbishop Desmond Tutu, "Prelude: Orison," for Iyer's father). But these musicians put an equally distinctive spin on some material by shared touchstones: the experimental composer and saxophonist Roscoe Mitchell , the bridge-building pianist Geri Allen , the openhearted soul magus Stevie Wonder . — Nate Chinen, WRTI ▶️ Stream Compassion by Vijay Iyer, Linda May Han Oh and Tyshawn Sorey Label: R&R Release Date: February 9 Where the hell did Mk.gee come from? Before this year, the 28-year-old singer-songwriter and music school dropout from New Jersey was largely known for his songwriting and production collaborations with Dijon . But in the months since dropping his spellbinding debut rock album, Two Star & The Dream Police , Mk.gee has cemented himself as his generation's guitar god in an era devoid of them, steadily building an impassioned fanbase who seek to replicate his mysterious playing style and clamor to see him repeat songs in his sets (he once played a song 12 times ) at his energetic sold-out shows. But it's not just unearned hype. On Two Star & The Dream Police , Mk.gee confidently melds the soft sounds and yearning styles of '80s rock, from U2 to The Blue Nile, with his distinctive guitar finger-picking to create a feverish, instantly replayable blur of an album. — Hazel Cills ▶️ Stream Two Star & The Dream Police by Mk.gee Label: ANTI- Release Date: February 9 Madi Diaz has spent many years bouncing around as an industry lifer, moving from Nashville to L.A. and back, writing songs for pop and country stars ( Kesha , Little Big Town ), releasing her own rich and deeply perceptive records, and even touring with Harry Styles . With Weird Faith , she follows her stunning 2021 breakup record History of a Feeling with an equally gripping set of songs about uncertainty — navigating the pitfalls of new love, wrestling with existential questions and generally surveying the minefields that forever lie ahead. Diaz keeps her arrangements spare, which lets the occasional swell of voices or orchestration hit that much harder. It also draws the listener's attention ever closer to her clear, plainspoken examinations of life's risks, questions, doubts and — maybe, if everything goes just right — triumphs. —Stephen Thompson ▶️ Stream Weird Faith by Madi Diaz Label: Nonesuch Release Date: February 23 Across Hurray for the Riff Raff 's eighth studio album, Alynda Segarra tells several stories about America through their history as a hitchhiker and train hopper. "People who sleep outside [have] a form of expertise about what's going on in this country," Segarra told World Cafe . The Past Is Still Alive reclaims some aspects of patriotism to redistribute power to the people living on the margins of society. Their journey is storied with misadventures: eating from the garbage ("Hourglass"); finding community in a "barrel of freaks" ("Snake Plant"); ducking from gunfire at a gay bar ("Colossus of Roads"). "Say goodbye to America / I wanna see it dissolve / I can be your poster boy for the great American fall," they sing on the latter, making way for deeper understanding, desire, freedom and survival. —Elle Mannion ▶️ Stream The Past Is Still Alive by Hurray For The Riff Raff Label: Top Dawg Entertainment Release Date: March 1 Rappers have been innovating on ways to say "I'm Bad" since L.L. started grabbing his crotch in his grandma's basement. But nobody in 2024 bested ScHoolboy Q , with a line buried like a gold nugget on an album full of uncut gems: "I ain't never met God but I bet he know me," became the ultimate flex as soon as "Yeern 101," Blue Lips ' first official single, dropped in February. When the album came two weeks later, it was the first sign that hip-hop gon' be alright after a 50th-anniversary year in which the genre's biggest names collectively took an unpaid vacay from the Billboard charts. Meanwhile, Q had been quietly woodshedding for the last five years on a psychedelic gangsta-rap opus, full of obscure samples, beat switches and the ruminations of an ex-pill popping, hood politickin, dad rapper approaching middle age and loving it. Blue Lips is the sound of maturing gracefully, from an artist nearly 20 years in the game and still feeling himself. —Rodney Carmichael ▶️ Stream Blue Lips by ScHoolboy Q Label: Bright Shiny Things Release Date: March 1 After the start of the Black Lives Matter movement, steps (albeit small ones) have been taken to better represent the work of Black American composers, past and present. This important — arguably long overdue — album spotlights two versatile mid-20th century artists whose music fell into neglect. The once-celebrated Julia Perry died in 1979, leaving her arresting violin concerto in disarray. Recently reconstructed, it receives a committed performance by Curtis Stewart, keen to the score's chromatic nuances. Her Prelude is serene, unlike the experimental Symphony in One Movement , which probes dark harmonies with the urgency of a search party. Coleridge-Taylor Perkinson, an agile pianist-composer who collaborated with Max Roach and Marvin Gaye , channels Handel in his neoclassical Sinfonietta No. 1 and conjures gritty southern styles in Louisiana Blues Strut: A Cakewalk for Violin . These strong performances by the Experiential Orchestra will hopefully spark a resurgence in the music of these exceptional composers. —Tom Huizenga ▶️ Stream American Counterpoints by Experiential Orchestra Label: Matador Release Date: March 8 "The song is breathing down my back, breathing down my neck," Kim Gordon sings half-way through her second solo album, The Collective . Every single song on this intimidating, arty, wildly cool album breathes down your neck. Over abrasive beats and heavy guitar reverb produced by collaborator Justin Raisen, Gordon lets her art school freak flag fly higher here than she ever did in Sonic Youth . Across 11 tracks, she spins up a collection of poetic, Dadaist songs, deadpanning in a whisper about everything from misogyny, the Los Angeles art scene, gift shop purchases, gun worship, influencer culture and what might be the most chilling (and somehow sexy) song ever written about bowling . It's fun, it's a nightmare, it's an album about the American dream that only Gordon could pull off. — Hazel Cills ▶️ Stream The Collective by Kim Gordon Label: ANTI- Release Date: March 22 Katie Crutchfield's melodies veer around like unchecked feelings, but on Tigers Blood this indie royal has never been more in control. Having claimed her friends and foes, turned a love match into a working partnership and faced up to the limits — and possibilities — of giving yourself to rock and roll, Crutchfield frees herself completely in these rambling yet tightly executed songs. "We can roll around in the disarray," she sings in "Evil Spawn," nailing every syllable to the snap of Spencer Tweedy's drums as she perfectly captures the earnest extravagance of making creativity the center of your world. Crutchfield's love songs acknowledge monogamy's challenges, her self-assessments have swagger and she redefines the very idea of "adult" music, saying it's possible to keep a little wildness at the core of a fully realized life. —Ann Powers ▶️ Stream Tigers Blood by Waxahatchee Label: Epic Release Date: March 22 "They ain't never had a pretty girl from Joburg, see me now and that's what they prefer." If 2023's "Water" was any indication of Tyla 's star power, then her self-titled debut cements it. On this album, Tyla creates a formula that has global appeal while keeping true to herself: Anchored by the South African pulse of amapiano, Tyla brims with energy, ambition and a clear sense of identity. There are many standout moments — the Aaliyah-infused "On and On" and Tyla's mesmerizing vocals on "Butterflies" — but perhaps the most powerful is when she teams up with Nigerian R&B princess Tems for the confidence-boosting "No. 1." With this debut, she's not only positioned herself as thee African popstar, but also carving out space for a new generation of African artists on the global stage. —Ashley Pointer ▶️ Stream Tyla by Tyla Label: Sentimental Release Date: March 22 "What you give to me no one can frack / What you give to me cannot owe bail / What you give to me no app can track," Los Angeles indie-rocker Rosie Tucker sings on UTOPIA NOW! The lyric demonstrates something at which Tucker is especially talented: moving deftly between big-picture societal critiques and dialed-in personal intimacies, often from one line to the next. The album, which Tucker wrote in the aftermath of being dropped from their label, chronicles (among many things; Tucker created a Wiki compiling all the references on the album) the perils of the music industry and the failures of technology. But Tucker's erudition doesn't come at the cost of the music's playfulness; it's a guitar record after all, and the production is experimental, with literal bells and whistles (and car horns and dog barks) layered throughout. And Tucker is truly funny as a lyricist, slipping one-liner zingers into songs that are existential and anti-capitalist, making listeners sit with our complicit consumerism. —Elle Mannion ▶️ Stream UTOPIA NOW! by Rosie Tucker Label: Vida Release Date: March 22 Let this be the official acknowledgment: My Alt.Latino co-host Anamaria Sayre turned me on to this Basque artist, and for that I am eternally grateful. Amaia Miranda is part of a cohort of musicians from northern Spain creating new musical expressions based on existing traditions, but with 2020s sensibilities. I was completely enchanted by the quiet beauty of her acoustic guitar meditations and wondered how I've lived so long without her music in my life. OK, turns out she's only been releasing music since 2017, but such is the hold her music has on me now that I know. —Felix Contreras ▶️ Stream Mientras vivas brillas by Amaia Miranda Label: Columbia Release Date: March 29 The origin story of Beyoncé 's latest album — a rebuke to those who questioned her legitimacy after she performed at the 2016 CMA Awards — is well known. But to assume that Act II: Cowboy Carter is just an album of personal retribution is to miss her doctorate-level dissertation on the depths of country's Black roots and its all-American recuperation. Cowboy Carter manages to expand a Black-birthed genre and meditate on what dismantling genre altogether can mean. The album's 27 tracks unfurl lifetimes of knowledge. Bey reminisces. She teaches. She raps. She writhes. She do-si-dos. She soothes her babies with lullabies and reloads the gun for her hangman on some " '03 Bonnie and Clyde " role revisal. She bows down to unsung trailblazer Linda Martell. She traces her family tree. She calls herself home. While Toni Morrison taught us that the "function of racism is to distract," the function of appropriation is to abstract; to steal so specifically that over time, you can make someone forget what's theirs in the first place. Cowboy Carter reclaims what's been abstracted with a spiritual, silly, kaleidoscopic precision. On the resounding "AMEN," Bey holds a funeral for the "old ideas" that this music was never Black people's to enjoy and occupy. After one spin of this album, you won't be able to claim you didn't know ever again. —Sidney Madden ▶️ Stream Cowboy Carter by Beyoncé Label: XL Recordings Release Date: April 5 The vibes are immaculate on Fabiana Palladino 's debut album. Her pedigree is, too: She's the daughter of Pino Palladino , an in-demand session bassist since the early 1980s (both of her parents, plus her brother and sister, contribute here, giving it the feel of an intimate coming-out party) and she was mentored by Jai Paul, a reclusive singer and producer whose limited output is balanced by the reverberations of his influence (check out the guitar sound on Mk.gee's Two Star & The Dream Police for more proof). It's crucial to mention this background, but just as important to discard it, because Fabiana Palladino belongs completely to its namesake, a writer and producer of immediate distinction. Fans of sophisticated, richly textured pop (Solange, Jessie Ware) will find rewards for days here. Palladino's songs feel bound to the early 1980s moment when experimental synth production was at pop's vanguard. Tastefully-retro keyboard sounds, shuddering guitar parts and multi-tracked backing vocals all jump out of the mix, but everything remains in perfect balance. These 10 songs play out like a classic '80s LP, with big hooks on side A, but don't sleep on the back half, where Palladino's skills as an arranger reach swoon-inducing heights. —Jacob Ganz ▶️ Stream Fabiana Palladino by Fabiana Palladino Label: Islandia Music Release Date: April 5 Sixty years ago, Terry Riley 's groundbreaking In C debuted in San Francisco, helping to usher in the minimalist movement in music. Over the years, his sparse, one-page score of 53 modular "riffs" has been performed by groups as diverse as a Chinese orchestra , musicians from Mali and a Japanese acid rock band. But none of these (nor many other renditions) offers the deep, trance-inducing grooves laid down by so few instruments — just Beiser 's cello (with a looping machine) and a pair of percussionists. She unspools long, droning lines, like bolts of fabric in the wind, as the low C string of her cello caroms off the drummers' beat. There are moments of serene repose, also headbanging grunge, redolent of Led Zeppelin 's "Kashmir." The project started as a whimsical surprise gift for Riley. It continued with his blessing, and pulses on for all to get lost in. —Tom Huizenga ▶️ Stream In C by Maya Beiser Label: Topshelf Release Date: April 17 So rare that a debut album announces a punk band so fully, loudly and, well — in a year that's celebrated highly chaotic energy — so damn brat . In the first 60 seconds of pink balloons , you get an immediate sense of Ekko Astral : throttling bass fuzz, bottom heavy drums, noisy guitar squall and the snotty snarl of Jael Holzman's voice. Each song is a confetti cannon stuffed with an unknown pink substance leaking out the sides, not only daring you to thrash, but dance. But even more than a cathartic set of punk anthems, Ekko Astral captures the feeling of falling apart together: How else can we cope with the anxiety and exhaustion of existence, religion and gender-based violence than in the company of comrades? pink balloons wants to hold space for empathy, but also, as Holzman cheekily offers, "Carly Rae Jepsen with a broadsword." —Lars Gotrich ▶️ Stream pink balloons by Ekko Astral Label: Thrill Jockey Release Date: April 19 In claire rousey 's music, hushed, seemingly insignificant beats of everyday life are often focused in on and magnified into moments of beauty. The experimental artist and composer is known for her prolific, disparate body of largely ambient music that makes great use of found sound (iPhone voice memos, field recordings) and her own Auto-Tuned vocals. But on sentiment , rousay pushes her uncategorizable work the closest it's ever been to something resembling singer-songwriter music, turning totally inward and pairing her introspective writing with emo guitar and strings. The result is a quietly powerful album that surfaces the artist's potent self-criticisms and ruminations on loneliness, and in its constantly mutating, delicate sound creates the devastating feeling of wanting for more. — Hazel Cills ▶️ Stream sentiment by claire rousay Label: self-released Release Date: April 30 The Brazilian singer-songwriter Luiza Brina calls these non-religious prayers calls for peace, salves for broken hearts, and announcements of arrivals and departures in life. She looks to Brazilian music masters for inspiration — the psychedelic symphonies of Caetano Veloso and Gal Costa come to mind, as well as Milton Nascimento 's tender sambas — but through a concave lens. Her soft-yet-commanding voice, nimble nylon guitar picking and orchestral arrangements expand outward with bombastic synths and more subtle electronic textures, crafting a sound that's right now, with a host of collaborators from Brazil's past and present. (And, if you'll forgive a brief tangent, 2024 was an incredible year for albums from Brazilians: Amaro Freitas , Sítio Rosa, Rogê , Milton Nascimento with esperanza spalding , to name a few.) There's a restrained ambition to Prece — a promise of something bigger than the prayers contained. A quiet, yet colossal record. —Lars Gotrich ▶️ Stream Prece by Luiza Brina Label: Mexican Summer Release Date: May 3 Before you hear Jessica Pratt 's unmistakable voice on Here in the Pitch , there are signs that the singer is working with an ambitious new palette. Drums thud and echo a familiar boom-pitter-pat as strings float in like rays of a long-awaited sunrise. And then, as if echoing down a smoke-filled hallway leading out of a dream, Pratt sings, her voice an uncanny mix of regret and resignation: "Life is ... it's never what you think it's for." That lyrical head fake, two words into her fourth album (her first in five years and by a wide margin her best) gives a sense of what makes Here in the Pitch so special. It's an album of displacement — temporal and psychological — that manages to find its own plane of existence. Naturally, references to the past are part of the album's fabric. Foremost, to rock and roll before it became "rock" — those early 1960s acts still tugged by widescreen country storytelling, smoky basement jazz crooning and studio strings — as well as the revivalists who have draped themselves in its image in each decade since. But Here in the Pitch avoids feeling overtly retro by being utterly enveloping (an attribute it shares with Cindy Lee's rapturously received Diamond Jubilee ). "It's the age of what's to come," Pratt sings later in "Life Is." Here in the Pitch is a handbook for keeping your balance when life is turning upside down around you. —Jacob Ganz ▶️ Stream Here in the Pitch by Jessica Pratt Label: Domino Release Date: May 17 The two most established public truths about the singer Beth Gibbons — that she is the lead vocalist of the trailblazing trip-hop group Portishead and a notoriously off-the-record person — are complicated by her solo debut, Lives Outgrown . Ten years in the making, the album introduces a brand new sound world of hushed chamber folk, using its delicately layered, splendidly crafted arrangements and their faintly rhythmic thrust to reveal more of herself than ever before. Wraithlike and pensive, its penetrating music meditates on maturity as a process, with all of its aches and hard lessons. The album can feel haunted in similar ways to the striking Portishead classics, but it is a personal sanctum all to itself that seems possessed by its own myths and folklore. Death and loss loom large, but Gibbons' spindly voice remains steadfast. Clear-sighted through an encroaching gloom, an anxious artist seems determined to fortify herself through doubt. —Sheldon Pearce ▶️ Stream Lives Outgrown by Beth Gibbons Label: Partisan Release Date: June 7 The brilliance of Angélica Garcia is in her malleability. The layers of intricately arranged emotion and cultural commentary come from excavating varieties of sound that feel spatially boundless. There's a neatness to the chaos on Gemelo . The album charts massive moments of transformation and rebirth as the Mexican-American singer carefully explores the duality of her core rhythm. She wrestles with twin identities, spirit and body, beauty and pain. There is a fixed, eternal conflict inherent to Mexican-ness, children of the colonizer and the colonized. Mexican philosopher Octavio Paz posits this as the explanation for our embracing of equal parts joy and sorrow. These two states of being are irreconcilable, so we bask in the glory of their messy collision. Amidst guttural cries and electro-cumbia rhythms, Garcia builds solace in extremity and acceptance. "To a certain extent, we have a choice of how we frame things," she explained regarding the record. "Pain can be another color, and the more colors I have — it just means that I lived." —Anamaria Sayre ▶️ Stream Gemelo by Angélica Garcia Label: RCA Release Date: June 7 Longtime listeners of Kaytranada know his sound instantly — that effortless bounce, its undeniable grooves and precision. Building off of the sonic diversity of 2016's 99.9% and the collaborative spirit of 2019's BUBBA, TIMELESS delivers all of these hallmarks across a whopping 21 tracks that offer surprises without straying too far away from his signature style. "Video" with Ravyn Lenae and "Feel a Way" featuring Don Toliver feel overdue in the best way, while powerhouse vocalist Durand Bernarr makes a triumphant return, adding to the album's mix of the fresh and the nostalgic. No matter whether you're entertaining friends or unwinding solo, TIMELESS has something for everyone — securing Kaytranada's place as a masterful producer who knows how to keep the party going, or just help you vibe out. —Ashley Pointer ▶️ Stream TIMELESS by Kaytranada Label: Atlantic Release Date: June 7 Sometimes when I survey the artists who've dominated our mainstream pop landscape for the last few years, I feel like I'm staring down a ballot to nominate America's homecoming queen and king. Everyone's so squeaky clean and inoffensive, so gracious and self-edited. But in 2024 we got Charli xcx , as if emerging from cutting class to smoke in the girls bathroom all these years, to release her irresistibly chaotic brat . For over a decade, the artist has been circling a commercial breakthrough, her records largely relegated to cult classics. But brat is her most thrilling release in years, a fast and furious electro-pop album that twists and turns between its bitchy, party girl persona and Charli's stark anxieties that flare underneath it. And even as it was memed into oblivion , garnering TikTok dances and a mention from Kamala Harris' campaign, brat 's cool factor never waned, boosted months after its release by an equally incredible remix version. Now that's, like, so brat. — Hazel Cills ▶️ Stream brat by Charli xcx Label: RCA Release Date: June 7 " This is for the girl in the dark / This is for the one tryna make it right / This is for the one waiting for the sunrise / This is for the one with a voice inside ." The parting message on Tems ' debut album commemorates her artistic awakening — one that's prompted a seismic shift in music. Since 2018, the Nigerian phenom knows full well that she's set the tone for African artists attracting global ears (" Yeah, I'm the one that got the scene bangin' " she blazons on "Wickedest") but throughout the LP, she reiterates that her confidence comes from the knowledge that she's covered by God during all her most daring moves. Born in the Wild weaves the soundwaves of her Lagos and London upbringing with a playful bravado delivered through her unforgettably rich alto. "It was night in my life, for so long, that I just thought it was never coming," she told me during Born in the Wild 's release. But this classic album celebrates the divinity of trusting the light that burns within us all. —Sidney Madden ▶️ Stream Born in the Wild by Tems Label: Platoon Release Date: June 7 This dazzling, multi-Grammy-nominated album starring celebrity conductor Gustavo Dudamel and the Los Angeles Philharmonic should give the hard-working 59-year-old Mexican composer the widespread recognition she deserves. In three disparate works, the album proves Ortiz as a distinctive master of color and rhythm. The 43-minute ballet Revolución Diamantina tackles her homeland's history of violence against women with whiplash Stravinskian beats, percussive commentary from a chorus and, oddly, a pinch of humor. The violin concerto Altar de cuerda sports modernist hues (think Messiaen and Ligeti ) with a cinematic, diaphanous central movement inspired by Mexico's 16th-century open-air churches. A seven-minute show-stopper, Kauyumari is fueled by a perky folk melody that continually transforms and finally blossoms into a jubilant frenzy. It's intoxicating music that, in a just world, should be played by orchestras around the globe. —Tom Huizenga ▶️ Stream Revolución Diamantina by Gabriela Ortiz Label: Interscope Release Date: July 10 As the wunderkind of Afrobeats, Rema has watched the growth of the continent's modern genre parallel his own coming of age. And coming off his 2022 crossover success with the catchy, PG-rated "Calm Down" remix featuring Selena Gomez , the 24-year-old singer could have easily coasted on some highly lucrative Afropop laurels. Instead, the Remy Boy grabbed the steering wheel and jerked attention back to his roots of Benin City, Nigeria, with HEIS. During its all-too-brief 28 minutes, the album is bold, shadowy, roving and all-consuming. Adrenaline rush standouts "MARCH AM," "YAYO," "OZEBA," and "HEIS" drive home Rema's statement that no matter how popular it becomes, the ancestral sounds of African music can never be diluted. It's exactly what the genre called for at this moment and a project that will go down as a powerful turning point in his career. —Sidney Madden ▶️ Stream HEIS by Rema Label: Dead Oceans Release Date: July 12 Omakase berries are a strawberry varietal only found, in nature, in the foothills of the Japanese Alps. Today, though, they're grown in vertical greenhouses and sold at Eataly for five dollars a pop. In "Omakase," sophisti-pop auteur Cassandra Jenkins dreams that she feeds the rare berries to her lover (who is, she murmurs, her light and destroyer); turning into coyotes, they lick the seeds from each others' teeth. Such surreal magic abounds on this gorgeous collection of synth-kissed reveries: in "Petco," she locks eyes with a lizard and finds dubious communion; "Clams Casino" describes depression through images of stray hairs in hotel beds and mysterious encounters in hotel restaurants. The music that makes Jenkins' stories glow is uncanny, too: retrofuturistic and intimate, modestly psychedelic, punctuated by interludes that feature French murmurs and her mother, a science teacher, enthusing about the stars. Twenty-first century intimacy is strange — established virtually, regulated pharmaceutically, threatened by existential unease. My Light, My Destroyer captures its plastic, fragile heart. —Ann Powers ▶️ Stream My Light, My Destroyer by Cassandra Jenkins Label: Island Release Date: July 12 She knows how to disco, but don't call her a revivalist: Though Remi Wolf 's songs can feel like stepping through a magic wardrobe packed with shakers and ankle bells, there's no separating them from the anxieties of the here and now. Hence, Big Ideas , a step up in craft and a pivot out in theme from 2021's toy-chest charmer Juno , complicating her roller-jam confessions with the new twist of being a quasi-famous person, bound to the rules of the road. Desire moves differently here: Borrowed luxury is all around, tempting you to binge appetizers and small talk at the media party, before serving fierce emotional hangover when the lights come on. Situationships get physical in stolen moments, bodies lathered in fancy hotel soap, but beyond each euphoric peak is a valley of longing to darken your alone time. Spite is a hell of a drug, especially when leveled at that ex who's doing just a little too well without you. To catalog this many relatable, regrettable micro-feelings in one place would have been impressive enough; she didn't have to make the thing so damn danceable, too. —Daoud Tyler-Ameen ▶️ Stream Big Ideas by Remi Wolf Label: AWAL Release Date: August 1 No one online admits they were wrong, least of all the edgelords. It is more effective to simply double down, to build an entirely new identity around digging in. Few have been more committed to standing their ground than the rapper JPEGMAFIA . Across four albums of incendiary rap, he has emerged as hip-hop's troll in chief, belligerent, unshakable and trenchant. The gripping, knotty I LAY DOWN MY LIFE FOR YOU carries many of those same instincts — taking on all comers for the rap equivalent of a Royal Rumble (if it were held on Twitter). But there is something lingering just under the surface that had previously eluded him: the pangs of conscience, which bleed into charged-up polemics turning defense into offense. Released in the wake of a controversial collaboration with Kanye West, a career provocateur does some self-reflection, coming out reinvigorated if not reformed. Though far closer to apologia than an apology, the music takes thoughtful, unexpected turns, and the album is gorgeous even when ugly, managing punk fury with an artisanal flair. As an idealogue's conviction takes the slightest of blows, he produces the most stunning work of his career. —Sheldon Pearce ▶️ Stream I Lay Down My Life For You by JPEGMAFIA Label: Blue Note Release Date: August 2 When NPR's Ari Shapiro asked Meshell Ndegeocello why James Baldwin's work — in particular, his book The Fire Next Time — continues to inform her music, Ndegeocello responded with a question of her own: " Why aren't we going back to it more? " Like Baldwin, the bassist, singer-songwriter and producer examines systems of oppression through her music, making a conscious decision to opt out. No More Water also includes the words of Audre Lorde, a poet, activist and educator who during her life was dedicated to calling out injustice in all of its forms. These elements, set to music composed by Ndgeocello and her band, make for an uncompromising listening experience. —Nikki Birch ▶️ Stream No More Water: The Gospel of James Baldwin by Meshell Ndegeocello Label: Def Jam Release Date: August 9 "I'm tryna become who I wanna be / Let me define by any means." This decisive declaration is paramount for a recording artist making a transition from independence to a major label. On CRYBABY, rapper and singer Rae Kahlil flows seamlessly between rhyming without artifice and singing with vulnerability. Boasting collabs with Freddie Gibbs , Benny Sings , Tiana Major9 and Anderson .Paak , Kahlil moves through pockets of R&B, including a Running Man -inspiring New Jack Swing via "COME HOME," the soulful "IS IT WORTH IT" and the sonic curveball "KNOW YOU." Whether wrestling with herself or a lover, she returns to that central intention to exist honestly within these spaces indefinitely, proclaiming, "F*** ya 15 minutes, I got so much more." —Mitra Arthur ▶️ Stream CRYBABY by Rae Khalil Label: Acony Release Date: August 23 In "The Bells and the Birds," one of the most quietly resonant tracks on this deceptively modest return from Americana music's reigning partnership, Gillian Welch murmurs a question as David Rawlings ' guitar overtones ring behind her: "Listen how the bells, they ring in the morning / What do they say to you, my love?" What they say is move along ; change is both necessary and inevitable. But, the birds answer, there is joy in claiming its sweet moments. Woodland follows the currents of impermanence through many storylines, some personal, others mythic or historical. Friends die, power corrupts and destroys, dreams play themselves out or are unfulfilled. Through it all there is love, fraying like an old coat, but still the ultimate protection. As spare guitar-and-voice duets alternate with subtle electric folk arrangements, Welch and Rawlings offer a midlife testament that honors and mourns loss while sounding ageless. —Ann Powers ▶️ Stream Woodland by Gillian Welch & David Rawlings Label: Island Release Date: August 23 Sabrina Carpenter is hungry, and she wants you to know it. On her delightfully compact breakthrough album, this Disney grad-turned-pop auteur casts herself as a freedom fighter in the sheets, calling out the hot boys who've wronged her — often because they're too dumb to do otherwise — while saucily acknowledging that she's no saint, either. We've seen this character before; from Jean Harlow's Blonde Bombshell to Mikey Madison's Anora, she's the baddish girl whose insistence on transparency exposes all the holes in the romantic fantasies that keep thoughtless, entitled men on top. Short n' Sweet swathes its empowerment fantasies in Y2K-pfp pastels, her vocals light as a feather floating in a cloud of vintage synths as she whispers to a lover on the verge of wandering, I won't give a f*** about you . On the merry-go-round of heartbreak, she's putting her foot down. It won't stop the spin, but for this laughing vamp, it's one way toward sure footing. —Ann Powers ▶️ Stream Short n' Sweet by Sabrina Carpenter Label: Top Dawg Entertainment Release Date: August 30 When Doechii performed in Atlanta on her Alligator Bites Never Heal tour, she took a moment between songs to relish in her four recently announced 2025 Grammy nominations. "They didn't see the Black b**** coming!" she shouted to a sold-out crowd, flaunting the explicit moniker she's used at least since her 2022 mixtape, she / her / black bitch . Of course, the phrase dates back much further in the annals of antebellum history. To be stuntin on 'em as a young, lyrically-gifted, dark-skinned, bisexual woman from the Deep and Dirty South in hip-hop today is a leather-gloved pimp slap across the face of an industry hard-coded with all the inbred racism, sexism and colorism that comes with commodifying Black bodies. Doechii knows this. And by the time she unpacks her bags — from Tampa to L.A., dependency to sobriety, self-doubt to audacity — over the course of a 19-song mixtape that's never bound or confined by genre, formula or label pressure, you'll know she's the s***, too. —Rodney Carmichael ▶️ Stream Alligator Bites Never Heal by Doechii Label: Deutsche Grammophon Release Date: August 30 While the 30-year-old Canadian mezzo-soprano emerges into stardom (she opened the Metropolitan Opera season this fall), she's yet to release a standard-issue "opera arias" album. And that may confound traditionalists. On Freezing , Emily D'Angelo opts for a smartly curated mix of folk and pop-ish songs. I admire her restless curiosity and, frankly, wouldn't mind if she sang a physics textbook. The voice is that beautiful — a burnished mahogany instrument with crisp (but not overly fussy) diction, tidy vibrato and elegant phrasing that sounds at home whether she's conjuring Jean Ritchie in the old Irish ballad "O Love is Teasing," diving deep into the melancholy of Purcell 's "O Solitude" or probing the heartbreak of Randy Newman 's "Wandering Boy." The arrangements are sparse but fresh — scorching electric guitar, droning synths and simple piano. D'Angelo is proving that her voice is one for all seasons. —Tom Huizenga ▶️ Stream Freezing by Emily D'Angelo Label: Pyroclastic Release Date: September 6 Folkloric futurism is a trademark for Patricia Brennan , a brilliant vibraphonist and composer rattling along the volatile edge of contemporary chamber music (or if you prefer, the more compositional quadrant of avant-garde jazz). On Breaking Stretch, an album whose title pointedly evokes the idiom "stretched to the breaking point," she augments her percussive quartet with an elite three-man horn section — Adam O'Farrill on trumpet, Jon Irabagon on alto saxophone, Mark Shim on tenor saxophone — and deploys them with a fidgety emphasis on abrading tensions. Her compositions play with unstable accord and accumulative density, with a rhythmic brio that occasionally evokes her formative years in Veracruz, Mexico. But the core coordinates of this music are fixed someplace that hasn't yet been charted; Brennan and her expeditionary forces make us feel flush with its discovery. — Nate Chinen, WRTI ▶️ Stream Breaking Stretch by Patricia Brennan Septet Label: Warp Release Date: September 6 The London-based harpist, keyboardist and composer Nala Sinephro designed her second album, Endlessness , as a musical Möbius strip. Comprising 10 tracks titled by number — "Continuum 1," "Continuum 2" and so on, continuity being the animating principle — it glides in a scroll of accumulative and recessive detail, with input from peers like saxophonist James Mollison (of Ezra Collective) and drummer Natcyet Wakili (formerly with Sons of Kemet). Sinephro's modular synthesizers burble and hum, as an arpeggiated line shimmers through the mist. Occasionally there's a tasteful slick of strings. As a totality, the result suggests an elegant convergence of ambient, electronic music and astral jazz, but genre terms can only offer an imprecise shorthand. Sinephro is pursuing a form of transcendence, at once cosmopolitan and almost elemental, relaxed yet hyperacute, rooted in an understanding that even infinity is a matter of one moment surrendering to the next. —Nate Chinen, WRTI ▶️ Stream Endlessness by Nala Sinephro Label: ANTI- Release Date: September 6 MJ Lenderman sings like a slightly out of tune guitar, like it kinda hurts him to do so, but he wouldn't want you to say anything about that. A poet of the half articulate, he's the guy at the backyard party who silently takes note of every sloppy kiss, dirty lie and borderline racist quip the alcohol inspires, recording them later in a secret notebook his kids will find in a closet in 50 years' time. Manning Fireworks claims Americana for the kids with revoked drivers licenses and the families with Christmas decorations in the yard in June; it claims rock for the unheroic and uncool, the purveyors of awkward pauses. A gentle feedback master, Lenderman knows heroic moves break bones; his band, a shaggy beast, extends the legacy of wrecked rock from Neil Young through Pavement and the Drive-By Truckers . "Please don't laugh, only half of what I say is a joke," he begs, bending the melody like it's a pipe cleaner in his nervous hands. After the party, there's a little sculpture on the kitchen table in the shape of a broken heart. —Ann Powers ▶️ Stream Manning Fireworks by MJ Lenderman Label: Ninja Tune Release Date: September 13 As Nilüfer Yanya began to make her third album, on the cusp of her 30s, she started thinking about the nature of performance, of being unable to separate herself from her songs and uncertain about giving her life to them. Previous albums established the Londoner as an electrifying young polymath, an indrawn songwriter and menacing guitarist with a majestic, sandpapery voice that could light a match. Where do you go from there? What stokes the desire to keep committing oneself to such an invasive process? The search for answers charges My Method Actor , a discerning record that interrogates the process itself and the identity put into it. Dynamic yet locked into an indefatigable groove, even as its grungy sound begins to dissolve into something more understated and unwound the longer it plays, the album is poised amid existential confusion. Yanya emerges from her crisis of conviction a virtuoso more in command of her artistry than ever, blazing her path forward by simply trusting her instincts. —Sheldon Pearce ▶️ Stream My Method Actor by Nilüfer Yanya Label: Jagjaguwar Release Date: September 27 The music made by the poet and folk artist Mustafa can feel like it is operating across planes. The songs are remarkably present yet obscure somehow. His voice, which is translucent in its own way, hangs at a middle distance. He is in conversation with both the living and the dead, and he sings as if he is occupying a liminal space. Dunya , his second album of quietly awe-inspiring elegies and remembrances, stands at many intersections to consider the toll the messenger must bear in service of keeping memories alive. In his capacity as hood archivist, he comes to represent many things: his Regent Park neighborhood, a Toronto youth movement in crisis, the Black muslim diaspora, the gang as a means of community, a facilitator of violence and a refuge from it. Through the softspun sounds of his heartbreaking memoranda, written so carefully as to feel both intimate and unknowable, Mustafa reaches out across the threshold, continuing to try to make sense of the senseless, even as his spirit grows weary. —Sheldon Pearce ▶️ Stream Dunya by Mustafa Label: Nonesuch Release Date: October 4 Some fingerstyle guitarists need more than the six or 12 strings under their fingers. They are composers, after all, who dream and hear techniques and textures outside of our imagination — the guitar can extend the artistic expression toward something symphonic in size and scope. On her third album, Yasmin Williams ' musicianship is impressive as always — her percussive-yet-melodic touch on the acoustic guitar is immediately distinctive — but here her musical storytelling finds brilliant vistas in the company of others. A string trio coaxes warming colors out of a busy "Sisters," underscoring a familial tension. Allison de Groot (banjo) and Tatiana Hargreaves (fiddle) brighten the corners of "Hummingbird," a brisk bluegrass tune that is among Williams' finest compositions. When she switches over to electric guitar, drummers give the emo-tinged "Dream Lake" and "Nectar" just enough juice to shred. With over 20 guest musicians, Williams quite literally traveled far and wide to make her vision a reality; on Acadia , she forges new ground. —Lars Gotrich ▶️ Stream Acadia by Yasmin Williams Label: Century Media Release Date: October 4 Have you ever growled into the void and found the light of creation? Blood Incantation , a death metal band steeped in the brutality of the masters, has always looked beyond — to the death of self, to the spaceways, to the horror (and hope) of existence — to write the next chapters of metal. Absolute Elsewhere , the band's fourth full-length, collapses a catalog of sublime stargazing and varied influences into a metal masterpiece that we'll be picking apart for ages. Explosive riffs, planet-swallowing grooves, atmospheric synths, dubby production, proggy instrumentals, bongo breaks and psychedelic passages deftly weave through two side-long songs — deemed "tablets" by the band — that are as intricate as they are enticing. Are there sections that veer into Pink Floyd laser show territory? Yes! And I, for one, challenge planetariums absolutely everywhere to take on Absolute Elsewhere . —Lars Gotrich ▶️ Stream Absolute Elsewhere by Blood Incantation Label: Blue Note Release Date: October 11 With his stunning third album, alto saxophonist Immanuel Wilkins deepens his scope as a conceptualist — creating a song cycle that explores familial bonds, ancestral bloodlines, and Black pain and persistence. (Its title refers to an utterance by Daniel Hamm, one of the Harlem Six savagely beaten by police in 1964; the composer Steve Reich once created a sound collage with the same phrase.) The album creates space for four sensitive vocalists, whose contributions overlap and intertwine in ways that suggest a subterranean root system. Among them are the transfixing South Indian devotionalist Ganavya and the folkish singer-songwriter June McDoom, whose hauntingly emotive lyrics meld naturally with Wilkins' bittersweet melodic designs (and the intuitive grace of his excellent quartet). Working deftly with producer Meshell Ndegeocello, Wilkins balances bracing poignancy with affirming communality: his invocation of historical struggle is also a reminder that no one fights alone. — Nate Chinen, WRTI ▶️ Stream Blues Blood by Immanuel Wilkins Label: UnitedMasters Release Date: October 11 The same morning BigXthaPlug dropped his second studio album, I hit up my cousin in Texas: "Yo man, Dallas finally got a rapper bout to go big. No pun intended." Like BigX, my cousin hails from the Big D. I hadn't shot him a music recommendation in years, but couldn't resist while sitting at a red light bumping "Law & Order," the Take Care song named for the same TV-show theme song it samples. The canned guitar wails that made the '90s police procedural so cringe never sounded as twanged-out and redemptive as they do next to BigX's double-barrel baritone drawl. A swashbuckling outlaw with a heavy soul , the man personifies Texas. Producer Tony Coles keeps that same energy throughout, leading with big samples — Willie Hutch, War, Ronald Isley , Rick James — that make Take Care ride like a mixtape masquerading as an album. Clearly, this is what Pimp C meant when he christened Southern hip-hop as "country rap tunes." When the all-encompassing story of country music's 2024 resurgence is told, BigXthaPlug will require a sizable entry. —Rodney Carmichael ▶️ Stream Take Care by BigXthaPlug Label: Interscope Release Date: October 11 Without fail, GloRilla is going to deliver that gospel. Five years into a career of continued, authentic virality, Big Glo blesses fans with a debut album displaying all her sides. The former choir girl praises her Christian roots with "RAIN DOWN ON ME" and "GLO'S PRAYER," then mixes the ratchet with the righteous on "HOW I LOOK." She talks herself out of overthinking with "STOP PLAYING" and "LET HER COOK." Released during Domestic Violence Awareness Month, she stands on business with "DON'T DESERVE" and "I AIN'T GOING": "I ain't goin' for all that rough me up and grab me by the neck (no) / N**** put his hands on me, we gon' be smokin' on him next." Heavy on the energies of self-love, reliance and respect, GLORIOUS is a triumph of Southern lyricism that shows off the Memphis star in new multitudes. —Sidney Madden ▶️ Stream GLORIOUS by GloRilla Label: Verve Release Date: October 18 The glow of his first Grammy win — in the category of Best Latin Jazz Performance, for Habana — didn't even have time to fade before trumpet dynamo Roy Hargrove went back into the studio to record a sequel, in the spring of 1998. Why, then, was that album put in the vault rather than on a release schedule? It couldn't have been the quality of the music, because Grand-Terre is an ecstatic winner: an even more fluent and focused celebration of Afro-Cuban musical lineage, with Hargrove and his Crisol band both in exceptionally strong form. Maybe the album would have been taken for granted had it been released in the immediate wake of Habana ; arriving as it does six years after Hargrove's untimely death , it's a heartening reminder of his uncommon gift for crisp lyricism, his abiding respect for Afro-Diasporic traditions, and his strutting ease in every sort of groove. — Nate Chinen, WRTI ▶️ Stream Grande-Terre by Roy Hargrove's Crisol Label: Rimas Release Date: October 24 Latin Mafia's genius hinges on mining glitter in the gray area. When the trio of brothers from Monterrey, Mexico, creates, nothing is off limits: a dancing piano, synthetic sparkle, palmas and, always, chillingly honest lyrics. "Que no te acabes nunca (May you never be finished) / Y si te acabas me esperas (And if you are finished may you wait for me)," they coo on "y como te digo que." Love always plays with death and joy with a bit of melancholy. Within the trio's sonic landscape, the most extreme and seemingly oppositional expressions of emotion find equal representation. Whether dropping bars of bitter self-condemnation ("nunca he sido honesto.") or sitting with messages from their grandma about how to carry on ("tengo mucho ruido."), authenticity is both Latin Mafia's power and connective tissue. —Anamaria Sayre ▶️ Stream Todos los días todo el día by Latin Mafia Label: Columbia Release Date: October 28 You can split the career of Tyler, The Creator pretty neatly into two phases: the confrontational wildness of his attitude era, running from the early days of Odd Future to the explosively shifty Cherry Bomb ; and the more thoughtful expressions of his post- Flower Boy awakening, bringing increasing degrees of experimentation and refinement. They are divided by an artistic puberty of sorts, whereby a once and future auteur began to grow into himself as both a performer and a personality. Now 33, the fully rehabilitated rabble-rouser makes another leap with CHROMAKOPIA , a colossal album of developmental epiphanies. In asserting himself as the premier rapper-producer of his generation, Tyler reckons with aging into a new personal reality, realizing the weight of adulthood bearing down on him. If this quarter-life crisis finds him off-guard, he chooses to meet it emphatically with platoon march aesthetics that embrace the flashing, prismatic energy of a carnival. Throughout the album, you get the sense that growing up shouldn't mean sacrificing the creativity of one's inner child. —Sheldon Pearce ▶️ Stream CHROMAKOPIA by Tyler, The Creator Label: Fiction/Capitol Release Date: November 1 "The Cure's first album in 16 years!" certainly qualifies as a news peg, but how often have fans' hopes been dashed by albums that follow absurdly lengthy hiatuses? No record could fully live up to the sum of that much anticipation, right? And yet here we are, returning to The Cure at its most grandly and orchestrally forlorn, in its most sonically and thematically cohesive record since 1989's Disintegration . Robert Smith's voice — weary and mysterious, awash in regret and swimming in loss, yet still up for a bit of playful yearning every now and then — has lost nothing as the singer rolls on past retirement age. With Smith envisioning Songs of a Lost World as the first installment in a trilogy, bleakness and optimism have rarely coexisted so neatly. —Stephen Thompson ▶️ Stream Songs of a Lost World by The Cure Label: pgLang/Interscope Release Date: November 22 Pluto entered Aquarius the same week Kendrick Lamar 's surprise album GNX descended upon us. The bigger surprise may be that no fan theories about this supernatural phenomenon exist. With all the bedevilment stirring between hip-hop's biggest stars, the answers we seek might lie somewhere in the stars. According to all the internet astrologists I follow, Pluto's newest transit is a big deal. It began Nov. 19, the Tuesday before GNX dropped, and will remain in Aquarius for the next 19 years. The last time the planet of transformation entered the sign of rebellion for that long, the American Revolution popped off. You might think that's too much weight to place on a rap album; Kendrick Lamar doesn't. His battle isn't against flesh and blood, but against principalities and powers. He's out to end wars — between rival gangs, conflicting hip-hop doctrines, God and Lucifer — even if waging war is the only means to do so. You've heard of a carpenter from Nazareth purportedly dying for our sins. But until you've heard a ninja from Compton black out "just to take our power back," you haven't seen the light. —Rodney Carmichael ▶️ Stream GNX by Kendrick Lamar Copyright 2024 NPR

S&P 500, Nasdaq rise with tech-related sharesGrijalva, whose district runs from the west side of Tucson through Nogales and Douglas and into parts of Yuma, made no mention Monday of the bid announced last month by U.S. Rep. Jared Huffman to challenge him for the ranking member status. The California Democrat, in angling for the post, said the return of Republican Donald Trump to the White House will have implications for the environment, energy production and federal land management. “Effective committee work led by our ranking members will be critical to limiting the damage from Trump’s Project 2025 agenda,’’ Huffman, 60, said in a written statement. He said it will be necessary to advance the Democrats’ agenda and to draw “contrasts that enable Democrats to reclaim the House majority in 2026 or sooner.’’ Grijalva did acknowledge, at least indirectly, the political change in Washington. “I will continue to focus on improving my health, strengthening my mobility, and serving my district in what is likely to be a time of unprecedented challenge for our community,’’ he said. He plans to serve his full term as a rank-and-file member of the committee, a spokeswoman said. Rep. Raúl Grijalva, D-Ariz., leaves a meeting of House Democrats on Capitol Hill on Nov. 19, 2024, in Washington. Grijalva, who has represented Tucson in Congress since 2002, first became the committee’s ranking Democrat in 2015. Four years later, when Democrats took control of the House, he became chairman, a position he held until the Republicans reclaimed control after the 2022 election. During that period of Democratic control he helped shepherd through two key pieces of President Joe Biden’s agenda: the Infrastructure Investment and Jobs Act and the Inflation Reduction Act. They have been hailed at the largest investments in climate and clean energy in U.S. history. Grijalva also is known for picking at least one fight with Trump, at least indirectly. In 2022, Grijalva, as chairman of the panel, asked the U.S. Justice Department to investigate whether former Interior Secretary David Bernhardt, an appointee of Trump during his first term, had used his position to get the U.S. Fish and Wildlife Service to change its position and agree to give permits to El Dorado Holdings to build the proposed Villages at Vigneto on a 12,000-acre site in the Benson area. Grijalva said at the time that it appeared to be a case of “pay-to-play .’’ The committee’s own investigation showed that developer Mike Ingram and others had given nearly a quarter of a million dollars to the Trump Victory Fund and the Republican National Committee, he said. The congressman credited the reporting of Tony Davis of the Arizona Daily Star, who interviewed a now-retired federal official who said he bowed to political pressure from a superior. Steve Spangle, who was a top official at the Fish and Wildlife Service in Phoenix, said the pressure caused him to reverse his position about the need for a detailed biological analysis of the effect of putting 28,000 homes on endangered species at the site. He told Davis, “I got rolled.’’ The Justice Department never disclosed what happened to that criminal investigation. But the project, opposed by various environmental groups, remains unbuilt. Grijalva, in his statement Monday, acknowledged he had not planned to give up his position. He thanked colleagues, tribal nations and environmental groups for supporting him. For his part, Huffman praised Grijalva as a “friend and ally’’ on the committee. “Working alongside him, I’ve seen his grit, determination, and passion for protecting our nation’s treasured natural resources, and his iron-clad commitment to lifting up frontline and indigenous communities,’’ the California lawmaker said. “Future generations will benefit from all that he has fought for and accomplished during his remarkable career,’’ the statement said. “Rep. Grijalva leaves big shoes to fill, and I will now dedicate myself to building on his legacy of principled and productive leadership as Ranking Member of the Natural Resources Committee.’’ Other accomplishments during Grijalva’s leadership listed on the Democratic committee members’ website include: Most recently, Grijalva has been asking the U.S. Air Force to take another look at its plans for new low-level training flights — some supersonic — above several large swaths of Arizona. Grijalva, in an October letter to the Air Force , said there is a “lack of transparency’’ in how it prepared its draft environmental impact statement. Howard Fischer is a veteran journalist who has been reporting since 1970 and covering state politics and the Legislature since 1982. Follow him on X, formerly known as Twitter, Bluesky , and Threads at @azcapmedia or email azcapmedia@gmail.com . Subscribe to stay connected to Tucson. A subscription helps you access more of the local stories that keep you connected to the community. Get Government & Politics updates in your inbox! Stay up-to-date on the latest in local and national government and political topics with our newsletter.Federal and local officials partner to teach LAUSD students cyber safety

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